Highlighted by spirited headlining performances by The Devil Makes Three (Saturday), The Infamous Stringdusters (Friday), and Railroad Earth (Sunday), there was a profound additional component to this year’s WinterWonderGrass Tahoe. The weather. Before turning all sunny on Sunday, Friday and Saturday’s proceedings included periodic showers of snow, graupel (look it up), and a little rain.
Cloud 9 Adventures announces the return of Strings & Sol, the annual bluegrass-centric tropical concert vacation, held at the beloved all-inclusive Now Sapphire and Dreams Resort & Spa in Puerto Morelos. Now entering its seventh year, the event will take place on the beautiful coastline in the Riviera Maya region of Mexico from December 7-11, 2018.
The Doug Fir show, the second of gigs, was a tiny, intimate venue and sold out. The crowd anticipated a memorable performance, and the band delivered. One of the highlights of the night, and there were many, was Fruition's Mimi Naja joining in on guitar and vocals for the song 'I Am a Mess.'
There’s a great scene in The Last Waltz – the documentary about The Band’s final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, “If it mixes with rhythm, and if it dances, then you’ve got a great combination of all those different kinds of music: country, bluegrass, blues music, show music...
To which Scorsese, the inquisitive interviewer, asks, “What’s it called, then?” “Rock & roll!”
Railroad Earth’s, “Captain Nowhere,” falls like a beautiful tear on the tumultuous face of humanity. Exposing a wonderful maturity throughout, Todd, Tim, John, Andy, and Andrew each freely offer one another all the space they need to create a multidimensional experience, while at the same time bringing about a singular effect. I marveled over, and deeply appreciated, the openness in which this small sample of songs (6) was delivered. Not afraid to look directly at what ails us, Railroad Earth sees right past the p
On the weekend preceding Halloween, a tie-dye-colored witches’ brew of imaginative seasonal costumes worn by attendees and musicians, vibrant autumn hues, and a couple of dozen improvisational bands of psychedelic rock, progressive bluegrass, funk, and more defined the 2017 version of the Hangtown Music Festival in Placerville, California.
There's a great scene in The Last Waltz – the documentary about The Band's final concert – where director Martin Scorsese is discussing music with drummer/singer/mandolin player Levon Helm. Helm says, "If it mixes with rhythm, and if it dances, then you've got a great combination of all those different kinds of music: country, bluegrass, blues music, show music…"
To which Scorsese, the inquisitive interviewer, asks, "What's it called, then?"
"Rock & roll!"